palm tree photography print by Andy Feltham
Back Garden by Andy Feltham
$300.00$775.00 Select options

Back Garden by Andy Feltham

$300.00$775.00

Contemporary giclée photography print produced on industry leading, 308gsm Hahnemühle Photo Rag fine art paper, giving it a matte finish with a chalky smooth cotton feel. This is a premium, heavyweight paper made of 100% cotton rag.

This photograph is taken from my current series, Otherworlds.

Everything is connected to everything else, from sub-atomic particles to colossal celestial bodies. Universally exerting a gravitational pull and constructed from the same units of matter, the inescapable truth is that we are forever entwined. Otherworlds is an expression of the child-like wonderment when surveying the never-ending vastness of the oceans, or joining up the dots in the boundless night sky; feeling acutely conscious of the insignificance of our brief existence here, whilst simultaneously experiencing the awe of being woven into the fabric of the cosmos.

In an attempt to see the unseen, this series of images was created by pushing the technical boundaries of the photographic medium. By using artificial lighting and extended stutter speeds, the work uncovers a world not visible to the human eye; for the briefest of moments we are able to tap into the Otherworlds. Each piece is free from digital manipulation, to maintain the authenticity of these encounters.

Limited edition:
12×16 = 10
24×32 = 5

Clear

14 day guarentee

Worldwide shipping

No import/customs fees guaranteed on UK, EU, AUS & USA deliveries

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Up to 90% of profits go to the artists

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Run by creatives, we not only collaborate with some of today’s most vibrant and talented young creatives, but we are committed to championing and financially empowering them. Which is why we give them up to 90% of the profits

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Eco-conscious production

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The paper and wood we use is sustainably sourced from FSC-approved forests and we only use eco, water based solvent inks, which are significantly less hazardous

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Global fulfilment & delivery

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With a network of print studios dotted across the UK, Europe, US and Australia, we utilise technology to print as close to you as possible. This reduces your delivery costs and our carbon emissions

Premium-quality prints

Paper
Sustainably sourced 220gsm archival grade fine art paper

Printing method
Printed using water-based inks and professional 12-colour giclée printers, giving it colour vibrancy that’s protected for 80+ years

Shipping
Shipped in rigid, crush-resistant, spiral wound postal tubes

Handcrafted frames

Premium materials
Made from high-quality, sustainably sourced and FSC certified wood. Finished with an acrylic glaze for greater durability and UV protection

Handmade
Milled with simple clean lines and presented with a satin finish by a specialist picture framer

Craftsmanship
Carefully glued, pinned and sanded for a seamless look and feel

Shipping
Arrives ready to hang with the necessary back fixture

Popular FAQs

How should I care/look after my print?

Giclée prints are renowned for their quality and extreme longevity, which is why they’re displayed in museums, art galleries and private collections. So it’s important to properly protect and care for your new pride and joy. This is why we always say it’s best to buy your print already framed, as this will avoid it getting damaged. But if you’d prefer to buy a standalone print or use your own framer, try to avoid leaving it rolled for too long

To uncurl or flatten a print, carefully remove it from the postal tube whilst keeping it covered in the protective acid-free tissue paper. Lay it out on a clean, flat surface, image side up. With the tissue paper covering the print’s image, place some smooth, flat objects (like books) on the ends and middle of the print. Let your giclée print relax over-night and it should be nice and flat. Avoid uncurling it by rolling the print the opposite way to receiving it, as you can easily crease it if done incorrectly

Having a frame that is FSC certified and created from 100% acid-free materials is vital. It keeps the artwork in mint condition across the years and ensures the colours stay true. If you don’t opt for one of our frames, make sure you buy one of the same quality, otherwise, the materials can damage the print over time and sunlight could fade the colours

What are the delivery costs?

You just pay the largest fee, with no additional cost for more items. So if you order 1 print and 1 frame to the UK it costs £9.99 or if you order 7 frames, it’s still £9.99

Zone 1 Delivery Prices (UK)

Product type Print size Price +Items
Print A4 – 12×12″ £1.99 £0
11×14″ – 12×16″ £2.49 £0
A3+ £4.99 £0
Framed print All £9.99 £0

Zone 2 Delivery Prices (Europe)

Product type Print size Price +Items
Print All €7.9 €0
Framed print A4 – 18×24″ €11.30 €0
20×28″+ €16.95 €0

Zone 3 Delivery Prices (Australia)

Product type Print size Price +Items
Print All AU$11.20 AU$0
Framed print A4 – 18×24″ AU$14.30 AU$0
20×28″+ AU$20.40 AU$0

Zone 4 Delivery Prices (US)

Product type Print size Price +Items
Print A4 – 24×32″ $6.20 $0
A1+ $14.25 $0
Framed print A4 – 18×24″ $17.35 $0
20×28″+ $24.75 $0
What are the delivery times?*

To eliminate waste and allow for our bespoke frames to be handcrafted, everything sold on DROOL is made to order. But this doesn’t mean crazy long waiting times, as print labs operate 24/7. Unframed prints are usually dispatched within 2–4 working days and framed prints are normally dispatched within 3-7 working days. *Please allow for longer production times during the coronavirus outbreak

What is your returns policy?

My item arrived damaged, or I was sent the wrong item
On rare occasions, items can get damaged in transit. If this is the case, simply let us know within 14 days of the item arriving and we’ll happily get a replacement sent out. Simply send us a few photos of the damage

Additional information

Item Details

Artist

Andy Feltham

Dimensions

60x80cm / 24×32", 30x40cm / 12×16"

Orientation

Medium

Edition

Size Chart

Prints

6x8" (15x20cm)
8.3x11.7" (A4)
12x12" (30x30cm)
11x14" (28x35.5cm)
12x16" (30x40cm)
11.7x16.5" (A3)
16x20" (40x50cm)
16.5x23.4" (A2)
20x20" (50x50cm)
18x24" (45x60cm)
20x28" (50x70cm)
24x32" (60x80cm)
23.4x33.1" (A1)
28x28" (70x70cm)
24x36" (60x90cm)
28x40" (70x100cm)
33.1"x 46.8" (A0)

Frames
When ordering a frame, the size listed is based on the size of the glaze and does not include the frames front face

Depth from wall

23mm (0.90")

Front face width

22mm (0.86")

Window Mounted Frames
(Often called mat / passe-partout)

When ordering a frame with mount, the size listed is based on the size of the glaze and does not include the frames front face. The thickness of our mounts is 1.4mm (0.05"), but the width - distance from the frame edge to the print - depends on the size of the frame:

10x10" or below

1" mount

11x14" or below

1.5" mount

12x16" or above

2" mount

Aside from eating, breathing, sleeping photography, I also work part time as a healthcare professional in Northampton, UK. I am happily married with two littluns and a whippet called Woody. Northampton is a large market town in the centre of England which historically was the hub of the shoe manufacturing trade in Britain. The Victorian shoe factories and workers housing dominate much of the towns central landscape, now providing a rich source of subject matter for my work

I have always had an artistic leaning, but it wasn’t until my wife bought me a Panasonic ‘point and shoot’ as a wedding present in the autumn of 2010 that I truly found my outlet… I was hooked

Initially I was drawn to the classic street photographers for inspiration: Cartier-Bresson, Winogrand, Erwitt et al. This ensured a solid foundation was forged within me to appreciate the harmonious balance between composition and content. As my photographic style has crystallised, I hope to chance upon scenes that have the feel of a forgotten stage or film set. As is always the case with photography, the lighting is a key component in achieving this

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